SHE CAN'T GO OUT IN PUBLIC WITHOUT A DISGUISE AND A BODYGUARD
Thursday, 24 October 2013
Tuesday, 15 October 2013
Sunday, 13 October 2013
Tuesday, 1 October 2013
Tuesday, 3 September 2013
Volunteering at the Whitworth Art Gallery
I spent the summer volunteering for the family programme at the Whitworth Art Gallery, in the run up to their closure this week with a festival in the park. As well as helping out with their childrens' classes a few days a week over the summer (DIY Art & Colourful Sundays), I worked at the festival with a kite making workshop and various childrens' activities, helped make some of the decorations for the park, namely cutting, decorating and sewing together about 300m of bunting, and also helped put together the 'Memory Shed'.
As well as gaining experience in a creative job area, I have made contacts with people at the Whitworth Gallery (for when they re-open as I will be finishing my degree), and have also gained some inspiration for my dissertation, being around kids in a creative environment. I got to speak to some like-minded people, and some that have done similar degrees to mine, and spoke to them about what to do after a degree if you don't want to be an artist.
Wednesday, 28 August 2013
Wednesday, 21 August 2013
Thursday, 15 August 2013
DISSERTATION ...
Child art and artists inspired by child like art styles
2001 Whitworth exhibition on child art - Wonderland?
Children as audience in an art gallery
Galleries that embrace children - workshops, activities, encouragement
Interpretation of art work, all audiences
Artists that encourage a specific response and interpretation, and those that leave it to the viewer
Saturday, 10 August 2013
Friday, 9 August 2013
EARLY DISSERTATION IDEAS
Creativity & imagination
Importance of creativity in education
Importance of creativity outside of the art industries and in every walk of life - innovation
Children and craft, imagination with materials
Differences between adults and children in terms of craft and creativity
Childhood fascination with tactile and brightly coloured objects
Art and craft bringing out the child in adults
Do successful artists have the ability to use their imagination in a childlike way to come up with ideas, have they maintained that from childhood?
Potential for interviews, case studies and external project at the Whitworth Gallery (child and adult programmes).
Importance of creativity in education
Importance of creativity outside of the art industries and in every walk of life - innovation
Children and craft, imagination with materials
Differences between adults and children in terms of craft and creativity
Childhood fascination with tactile and brightly coloured objects
Art and craft bringing out the child in adults
Do successful artists have the ability to use their imagination in a childlike way to come up with ideas, have they maintained that from childhood?
Potential for interviews, case studies and external project at the Whitworth Gallery (child and adult programmes).
Saturday, 29 June 2013
Thursday, 23 May 2013
Sunday, 19 May 2013
Friday, 17 May 2013
Thursday, 16 May 2013
I've hired a light box for assessment. My work is at it's best when illuminated.
I want the tutors to see the work presented as it would be in a more professional exhibition environment.. Or just somewhere more flexible and practical than my current studio space. For example I can't display on a window and I don't have the resources to wall-mount a large backlit piece of work. I was very pleased with how my work looked on a small table-top light box, the viewer can see the illuminated marks and layered colours of the work and also control the on/off switch. This is an idea that I could use in a show environment - the viewer able to control the viewing of the work, whether it is seen/illuminated/communicating as they would as a consumer in the real world concerning advertising imagery.
I want the tutors to see the work presented as it would be in a more professional exhibition environment.. Or just somewhere more flexible and practical than my current studio space. For example I can't display on a window and I don't have the resources to wall-mount a large backlit piece of work. I was very pleased with how my work looked on a small table-top light box, the viewer can see the illuminated marks and layered colours of the work and also control the on/off switch. This is an idea that I could use in a show environment - the viewer able to control the viewing of the work, whether it is seen/illuminated/communicating as they would as a consumer in the real world concerning advertising imagery.
Wednesday, 15 May 2013
Tuesday, 14 May 2013
Cut! Reproduction and Recombination. The Wretched of the Screen journal
I found this essay very interesting, here's an extract talking about the reproduction and stunted communication of images.
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